Language Acts and Worldmaking

Institution

King's College London

Country

United Kingdom

Methodology

Digital mining

Key Focus of Study

Language Acts and Worldmaking' argues that language is a material and historical force, not a transparent vehicle for thought. Language empowers us, by enabling us to construct our personal, local, transnational and spiritual identities; it can also constrain us, by carrying unexamined ideological baggage. This dialectical process we call 'worldmaking'. If one language gives us a sense of place, of belonging, learning another helps us move across time and place, to encounter and experience other ways of being, other histories, other realities. Thus, our project challenges a widely held view about ML learning. While it is commonly accepted that languages are vital in our globalised world, it is too often assumed that language learning is merely a neutral instrument of globalisation-a commercialised skill set, one of those 'transferable skills' that are part of a humanities education. Yet ML learning is a unique form of cognition and critical engagement. Learning a language means recognising that the terms, concepts, beliefs and practices that are embedded in it possess a history, and that that history is shaped by encounters with other cultures and languages. To regenerate and transform ML we must foreground language's power to shape how we live, and realise the potential of ML learning to open pathways between worlds past and present. Our project realises this potential by breaking down the standard disciplinary approaches that constrain Spanish and Portuguese within the boundaries of national literary and cultural traditions. We promote research that explores the vast multilingual and multicultural terrain constituted by the Hispanic and Lusophone worlds, with their global empires and contact zones in Europe, the Americas, and Africa. Understanding Iberia as both the originator and the product of global colonising movements places Iberian Studies on a comparative, transnational axis and emphasizes diasporic identities, historic postcolonial thinking, modern decolonial movements and transcultural exchange. Our research follows five paths linked by an interest in the movement of peoples and languages across time and place. 'Travelling concepts' researches the stories and vocabularies that construct Iberia as a cultural crossroads, a border between East and West, a homeland for Jews, Muslims and Christians. We examine the ideological work performed by the cultural semantics Iberia, Al-Andalus, and Sefarad in Spanish, Portuguese, English, French, German, Arabic, Hebrew and ladino (Judeo-Spanish), from the Middle Ages to the present, in Europe and beyond. 'Translation acts' turns to the theatrical narrative, investigating how words, as performed speech and embodied language create a world on stage. Through translation, we travel across time and space, interrogating the original words and bringing them to our time and place. This strand exploits theatre's capacity to (re)generate known and imagined worlds. 'Digital Modelling as an act of translation' examines the effects of digital, mobile and networked technology upon our concept of 'global' culture, and what kinds of 'translation' are enacted as information enters and leaves the digital sphere in the context of Hispanic and Lusophone cultures. 'Loaded Meanings and their history' demonstrates the centrality of historical linguistics to cultural understanding, by investigating the process and significance of the learned borrowings in Ibero-Romance. Such borrowings acquire 'loaded' meanings that reflect and shape people's attitudes and worldviews. Finally, the agents of language learning-teachers-are the focus of the fifth strand, 'Diasporic Identities and the Politics of Language Teaching'. Updated with Covid Response - Language barriers prohibit the real understanding of experience in diverse societies and lead to misunderstanding, xenophobia and violence, as we have seen in this country. Language Acts and Worldmaking, led by PI Professor Catherine Boyle, is uniquely placed to offer significant insights into its global narration. Our multidisciplinary team will lead a process of digitally mining sources from, for example, European languages, Mandarin, Korean and Arabic. Linguists working in these languages will engage in translation of the most salient terms and we will use digital tools to compare and analyse the ways in which the pandemic has been narrated. We know from our literary, cultural, linguist and historic research that words like war, conflict, contagion, invasion, fear, sanity and cleansing inhabit the ways in which we articulate our responses – collective and subjective – to moments of crisis. It is important that we have a clear understanding of these articulations at the present moment in an already volatile geopolitical situation.

Funding Institution(s)

UKRI

Status

Ongoing

More information

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